PK’s songwriting style careens wildly around the alt-country and folk genres like Hank Williams on a souped-up Vespa - rooted in tradition, but with a kind of laissez-faire European eclecticism that is decidedly modern.

In other words, fans of old-time music will find much to like, but this is not an attempt at a purist revival by any stretch!

With elements of folk, western swing, honky-tonk, and blues, and taking on a wide range of subjects from religion and sex to the zombie apocalypse, the songs are the star, delivered in an immediately-compelling baritone reminiscent of Cash and Presley but with a style all it’s own.